Yggdrasil · The World Tree and Its Places

The Norns: Urðr, Verðandi and Skuld

Three figures tied to the tree and its well.

Myth and literature · Quotation

In Thorpe’s translation

20. Thence come maidens, much knowing, three from the hall, which under that tree stands; Urd hight the one, the second Verdandi,--on a tablet they graved--Skuld the third. Laws they established, life allotted to the sons of men; destinies pronounced.

Myth and literature

What the sources say

Völuspá tells of three maidens, Urðr, Verðandi and Skuld, who come from beneath the tree; translations differ over whether this is a hall or a lake. In Gylfaginning the Norns tend the tree, pouring water and the clay around the well over it so that its branches do not rot.

  • Völuspá (Poetic Edda)
  • attributed to Snorri Sturluson, Prose Edda: Gylfaginning (13th century), chapters XV-XVI (Brodeur translation)
  • Wikipedia contributors, Yggdrasil (opens in a new tab)
Myth and literature · Context

Names and background

The origin of the word norn is uncertain. It may come from a verb meaning to twine, as in twining the thread of fate; Karen Bek-Pedersen instead links it to a Swedish dialect verb for communicating secretly. The names Urðr, Verðandi and Skuld come from verbs meaning to become and to be due. They are often taken as past, present and future, but scholars dispute this, since the words refer to fate rather than to periods of time. The sources also vary: Fáfnismál says norns belong to the gods, the elves and the dwarf Dvalin's daughters, and Völuspá and Vafþrúðnismál suggest the three main norns were originally giantesses. In some legendary sagas norns seem the same as seeresses, and in Hrólfs saga kraka they are evil witches.

Historical evidence

Evidence beyond the Eddas

Outside the Eddas, a verse in Ynglingatal by Hvini uses the phrase norna dómr, judgement of the norns, of the death of King Halfdan; Bek-Pedersen reads the phrase as having a quasi-legal flavour. A runic inscription from the Borgund stave church (N 351 M), later than the conversion, says the norns did both good and evil.

Modern interpretation

Later reception

Nineteenth-century illustrators such as Ludwig Burger (1882) and Johannes Gehrts (1889) drew the Norns, followed by Arthur Rackham and others. Wikipedia’s article also notes a 2003 Faroese stamp by Anker Eli Petersen and a Dublin statue, The Tree Faites, a German gift. It describes the winged Romantic depiction as at odds with folklore.

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