Yggdrasil · The World Tree and Its Places

Yggdrasill, the World Tree

The great ash at the centre of the myths, described in the Poetic Edda and the Prose Edda.

Myth and literature · Quotation

In Blackwell’s translation

Its branches spread over the whole world, and even reach above heaven. It has three roots very wide asunder. One of them extends to the Æsir, another to the Frost-giants in that very place where was formerly Ginnungagap, and the third stands over Nifelheim, and under this root, which is constantly gnawed by Nidhogg, is Hvergelmir.

Myth and literature

What the sources say

Both Eddas describe Yggdrasill as an immense ash. The name is usually understood as “Odin’s horse”, from Yggr, a name of Odin, though other explanations have been proposed. The tree is described in the poems Völuspá and Grímnismál and in the Gylfaginning part of the Prose Edda.

Three roots hold the tree up, according to Grímnismál and Gylfaginning, but the two sources say different things about what lies by each root. The sources do not give one consistent picture of the tree, so this site’s drawing sets the places out for readability and does not claim to show where anything lies.

  • Völuspá (Poetic Edda)
  • Grímnismál (Poetic Edda)
  • attributed to Snorri Sturluson, Prose Edda: Gylfaginning (13th century), chapters XV-XVI (Brodeur translation)
  • Wikipedia contributors, Yggdrasil (opens in a new tab)
Myth and literature · Context

Names and background

The usual reading of the name is Odin's horse: Ygg(r) is one of Odin's names and drasill means horse, perhaps because hanging a man on a gallows could be spoken of as riding it. Not everyone agrees. Some scholars take the name to mean the tree itself, or the tree on which Odin's horse is tied, though both ideas rest on a form that is never attested. Other proposals are a tree of terror, or a yew pillar. Anatoly Liberman suggests the name first belonged to Odin's horse and was later reinterpreted as the world tree.

The poems and Snorri also disagree on where the roots lie: Grímnismál puts them beneath Hel, the frost giants and humanity, while the Prose Edda places them among the Æsir, the frost giants and Niflheim.

Historical evidence

Evidence beyond the Eddas

No runestone, picture stone or object is tied to the tree itself. What survives is indirect: Adam of Bremen describes a great evergreen tree beside the temple at Uppsala, though Hilda Ellis Davidson notes his informant may never have seen it. Ken Dowden suggests that the Irminsul, Thor's Oak and the Uppsala tree point to an Yggdrasil-like prototype. Sacred warden trees were still being honoured with offerings in Germany and Scandinavia into the nineteenth century; a birch on a burial mound in western Norway had ale poured on its roots until it was felled in 1874.

Modern interpretation

Later reception

Thomas Carlyle made Igdrasil a favourite symbol, and John Ruskin also referred to it. Visual treatments include Karl Ehrenberg's painting of the Norns (1888), Axel Revold's fresco at the University of Oslo (1933) and a relief by Dagfin Werenskiold on Oslo City Hall (1938). The tree also turns up in the Marvel films and in the light novel series Overlord.

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